Ever since precious metal clay was introduced in 1990, artists the world over have tried to find ways to take this wondrous material in new directions. Holly Gage has developed a technique using combustible clays to create canes and hollow forms. She will lead a workshop May 19-20 at Metalwerx, “Negative Space Caning with Metal Clay,” to teach her innovative method.

"If I Could Fly," brooch by Holly Gage

It sounds simple enough: use wood, cork, and certain brands of paper clay to form inner cores which burn off, giving dimension and design possibilities to a piece. Holly is credited with developing the process.

Making canes by alternating layers of metal and wood or cork clay can lend intricate negative space to a form. Hollow forms can be used as focal pieces, beads, or anything—it can be flat as well. It’s a hands-on process where a little bit of instruction can go a long way.

Intricate open cane earrings, Holly Gage

The two-day workshop is for metal clay enthusiasts of all skills levels, but Holly warns, “Whatever you think you know is not necessarily applicable to this. It is a process having you think differently and creating in a whole new dimension, a springboard idea starting the launch sequence to explore more.”

Holly was fascinated by the use of color in polymer clay jewelry, so she began experimenting with combustible clays to make spaces. As anyone who works with metal clay can attest, a design with individual rungs and other delicate open work can become very tedious. She spent six months in trial-and-error activities to improve the process, and discovered that of all the combustible clays, wood, cork, and certain brands of paper clay worked the best. “Here, the combustible materials act as a support as well as  temporary space holder that will fire away,” she said.

"Another Dimension," brooch by Holly Gage

She tried using Creative® paper clay, but the volcanic ash content did not completely burn away. “It would hold the space,” she said, “but I had to chip it out.” She cautioned that this work must be done very clean. If the cork or wood clay gets into the metal, it will leave pits. You can read more about this process here.

Holly also devised a way to use up the leftover material. “You can recycle it even if it has the combustible foreign particles,” she said. “I’ve come up with a way to use mixed metal and cork clay sanded material so that it’s not wasted. Scrap and dust and everything.”

Who could have anticipated that one day artists would use paintbrushes and a moldable metal in clay form, found objects, and extruders, to make jewelry? For Holly, a nationally-recognized and award-winning jeweler, metal clay has become the most “accurate” way for her to express herself. When she successfully perfected the negative space caning procedure, she was pleased with the end result and the response from the arts community.

"Deco" necklace, Holly Gage

“I thought it was cool,” she said. “Now I can control my results a lot better. It’s innovative and different, and it’s been received rather well.”

There are still a few seats available for Holly’s workshop.  To register,  or learn more about the class, contact Metalwerx at (781) 891-3854, or visit http://metalwerx.com/workshop/531. To see more of Holly’s work, visit http://www/hollygage.com

–by Yleana Martinez

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Munya has a Dream: Alchemy 925 to open April 2012

by Metalwerx on March 31, 2012

 “Sharing beautiful work with the public” has been Munya Avigail Upin’s dream for more than 25 years. Her fantasy is rapidly transforming to reality as she and her colleague, Kirsten Ball, prepare to open a contemporary jewelry and fine craft gallery in Belmont, Mass.

Munya, a member of Metalwerx’ Board of Directors, and Kirsten, a familiar face in the Metalwerx classroom, have seen their lives change dramatically in just a matter of weeks. From the day the idea was born to the moment they discovered the perfect location, the stars appeared to be in alignment.

Future home of Alchemy 9-2-5 (photo by K. Ball)

When Munya is not teaching jewelry making at Lincoln-Sudbury Regional High School, she can be found in the metals department at DeCordova Sculpture Park and Museum, also in Lincoln, MA. Kirsten was one of her students at the Museum last December when the two began discussing the jewelry industry. Kirsten has sold her jewelry at the summer SOWA Open Market on Harrison Avenue in Boston, but she longed for a more permanent location.

”One day I said, ‘We just need to open our own gallery,’ Munya said. And from then the search was on to find a neighborhood that could support a fine craft and jewelry business.

They didn’t have to go far, as Munya lives with her family in Belmont. One day they met for coffee in Belmont Center when they saw an antique, two-story Victorian building at 48 Leonard Street. It housed a real estate agency that seemed out of place among the area’s other retail stores. Inside, they found the owner of the building, who told them he’d just bought another place and was moving out.  The building was once a blacksmith’s shop. “We certainly like the connection,” Kirsten said.

“Here we were, a week into our project, and we had a retail space,” Munya said.  Less than a month later, Alchemy 9-2-5 was born.  They immediately met with lawyers to incorporate, and proceeded to order custom cabinets, computers, a web page and a telephone number, which just happens to contain the magic number 925.

Metalsmiths will recognize 925 as the Sterling silver mark; alchemy is an ancient philosophy that, among other practices, attempted to transform base metals into gold and silver. “We liked the idea of transforming the ordinary into something extraordinary,” Munya said.

Work in progress at Alchemy 9-2-5 (photo by K. Ball)

Although Munya has had plenty of experience in jewelry retail, both as an artist and behind the counter, opening a gallery is new territory for Kirsten. Originally from London, her background is in historic decorative crafts, including the restoration and conservation of historic interiors. When she moved to Boston with her young family in 2007 after her husband was transferred, Kirsten was able to pursue a new path. Her specialization in gilding, a process by which gold leaf is applied to a hard surface, no doubt came in handy when she took up metalsmithing.

Kirsten built a studio at her home in Carlisle, MA, and began selling her work at craft shows. Kirsten ‘s style often features soumak, a metal weaving technique.  “I’ll have my work there, but I hope to keep up with running the gallery while still creating my work,” she said. The shop also will offer custom design orders and some jewelry re-purposing.

Munya’s Judaica also will be on the shelves. Among other local artists, Alchemy 9-2-5 will feature artists from all over the country. Besides jewelry, the gallery will include glasswork, fiber, and ceramics.

“It’s been invigorating,” Kirsten said. “We are so lucky to have so many amazing artists that are going to let us represent their work. But we’re going to be accessible. We’ll have a price range that will introduce people to the world of quality handmade art.”

With an idea that quickly became reality, a space that practically presented itself, Munya and Kirsten are “going full-speed ahead.”  A grand opening with Champaign and hors d’oeuvres is tentatively scheduled for April 28, from 3 to 8 pm.

– by Yleana Martinez

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Sarah Doremus: Cold Connections for Art Jewelry

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Jewelry took an innovative turn in the late 19th century when artists like Rene Lalique began using materials other than gold and precious gems in their work. Some of Lalique’s most famous pieces featured glass and ivory, materials uncommon to jewelry for the time. For example, the wings of his dragonfly pins were made with [...]

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Spotlight: Dan Grandi on Expansion Plans for Racecar Jewelry

February 3, 2012

Dan Grandi returns to Metalwerx on Feb. 17 to teach mold making and casting. It’s a very busy time for Dan, who is the midst of making major changes to his company, Racecar Jewelry Company, Inc. The expansion plans include moving from Cranston, RI, to a new 10,000 square foot facility in Pawtucket, RI. The [...]

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JEWELRY-MAKING SUPPLIES & FREE LECTURES AT METALWERX VENDOR DAY

October 14, 2011

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Metal Clay a winning choice for MW instructor Michela Verani

September 6, 2011

Winning four awards in as many months has left Metalwerx instructor Michela ‘Mikki’ Verani ecstatic: “It’s amazing. I’m shocked. On cloud nine.” In April, Mikki won second prize in the Bead Dreams Competition  for her metal clay scatter pin, “Dragonfly Nymph”. One month later, Mikki was awarded the Employee’s Choice Grand Prize in the Fire [...]

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Move that Jewelry! Kinetic Jewelry Workshop with Sarah Doremus

July 29, 2011

In Sarah Doremus’ short video, the hand at the end of the putty-pink plastic arm commands you. As the hand silently rotates, palm cupped in a warm ‘hello,’ slender fingers pointing heavenward, one feels comforted by–and in obeisance to– its approving gesture. It is the Queen Elizabeth wave, enveloping all in an imposing, loving embrace. [...]

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Argentium Silver: Microfolding, Fusing, and–Mithril?

July 1, 2011

  Argentium sterling silver has been commercially available in the U.S. since 2005, but not all jewelers have scrapped their traditional Sterling in favor of this wonder metal. The industrial market has been even slower to adopt this patented silver alloy, in which germanium has been added to the sterling/copper mix. To its faithful in [...]

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Learning From the Masters: Students Weave Beauty and Success Into Their Work

June 15, 2011

The surprised look on her customers’ faces is what pushes Kiki Kinney to try new methods in her jewelry-making. Barbara Gross discovered it’s a great way to continue metal working while snow skiing in Maine. And both artists are finding success by incorporating weaving to their designs, be it soumak, knitting without needles, or twining. [...]

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Looking Back on Craft Boston Spring 2011

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The last weekend of March, we packed up Metalwerx’ display cases along with many fine examples of jewelry created by our students, faculty, and resident artists (a.k.a. Studiomates). With office manager Kelly’s car filled to the brim – off we went to set up our booth for Craft Boston, New England’s finest exhibition and sale [...]

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