Dragon Bracelet Wristband in Bronze

by lianabennett on January 20, 2012

in Dragon Jewelry,Resin Jewelry

This a another version of my black dragon wristband with a metallic bronze finish. It looks like a dragon bracelet you picked up at an antique shop, or found digging around some ancient ruin. It just looks more refined. I think this color might appeal more to both men and women. I love how this antique finish accentuates all the tiny details. My Honey-Do says it’s his favorite.

Dragon Bracelet Wristband in Antique Bronze Finish

The solid brass latches came with the antique finish and really look good with this version of my dragon wristband.

Dragon Bracelet Wristband Latches

 

Dragon Bracelet Wristband Wings

 

You can read more about my Dragon Bracelet Wristband in Antiqued Bronze and purchase one here: Bronze Dragon Wristband by In Art studio on Etsy

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I was so excited, the day I finally de-molded my first black dragon wristband. After sitting all night in the pressure tank, would I open the lid to find disaster? I held my breath. OMG it worked! My original dragon sculpture was transformed into a sexy, black dragon wristband, just as I had imagined. I made all my family members try it on.  He is so big, bold and 3-D. I love it! This is the first of my dragon jewelry designs. I am currently designing a smaller, more feminine dragon bracelet, with lots of rhinestones.

Black Dragon Jewelry Wristband

I received my longer rivets in the mail and mounted the hardware. My Honey-Do had helped me to pick out these solid brass latches. He suggested that the latches needed to look rugged and medieval, like the style of  my winged dragon. I think he made the perfect choice. I had to order longer rivets to accommodate the thickness of the faux black leather lining. I devised a way to merge the lining material right into the wet resin, during casting. This gives a homogeneous blend of the two materials, without the need for gluing.
Dragon Wristband latches

I used a combination of 2 urethane resins to cast my dragon wristband. Hard urethane for the shiny rock crystals and flexible urethane for the rest of the dragon. I have though about the possibility of casting my dragon wristband in a different material. But, I do not think the design would work in any kind of metal. Sterling silver would be beautiful, but so expensive. And the dragon would be too heavy and clunky to wear comfortably. The flexible urethane allows his head, horns and wings to bend without breaking, when snagged. This material also allows the wristband to fit snugly on the wrist, so that the dragon stays put and does not rotate.

You can read more about my Black Dragon Wristband and purchase one here: Black Dragon Wristband by In Art studio on Etsy

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Finding the right resin for my dragon bracelet was a long process. The problem was information overload. Too many resins to choose from, each with it’s own set of technical specifications. I spent weeks sifting through pages of tech data sheets and calling supplies with numerous questions. Tensile Strength, Modulus, Tear Strength, Elongation and Shrinkage are just some of the physical properties that can make or break a design. Then there are the obvious choices of color, shore hardness and viscosity. Just how hard is this stuff going to be to work with? How many minutes of working time do you have before it kicks? Is it compatible with my mold material? Does it require any special mold release? Does the material require vacuum degassing or higher than normal pressures during casting? What is the cure time, cure temperature and post-curing requirements? How long is the shelf life? Is it UV resistant? Are there any special storage or hazardous material requirements to consider?

I find that narrowing down the choices, is made easier by compiling all the technical data into spreadsheets. By process of elimination, I finally arrived at half a dozen resins that might fit my needs. I ordered small quantities of each and started my testing. This is where I switch into what my Honey-Do calls my “Mad Scientist” mode. The testing part is always fun. I make numerous sample castings, and then stretch them, bend them, try to break them. I lay them out in the sun to test for color fade and UV degradation. I test for pigment compatibility. I test for post processes, like drilling and sanding, painting and gluing. Then there are the ambiguous properties. How does it look, how does it feel against the skin, how well does it “wear”? Working with a new material always requires a learning curve. All my testing, helps shorten this learning curve and always sparks new design ideas.

You are probably bored to tears by now, by all of this technical mumbo jumbo, right? Sorry, sometimes the anal engineer in me, gets carried away. I love all this stuff. But, even my Honey-Do’s eyes glaze over when I start to talk about resins. So show a photo of the dragon bracelet, already! I will post photos soon. My prototype is finished. But, due to a design change, I had to order longer rivets and they are still in the mail.

I have to admit that this dragon bracelet has been one of the longest, most challenging, of my jewelry designs to date. I love taking a jewelry design from idea to completion. To take an idea from conception, to sculpture, to molds, to finished product requires constant learning, careful planning and attention to details. And even then, mistakes can be made and disastrous results can ruin weeks of work. But, when a design works, when you hold the finished product in your hand and then try it on your wrist, and it sings that siren’s song of beauty. You know, that you can’t wait to tackle the next new idea.

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All summer my poor dragon sat, wingless.

The summers here in Colorado provide wonderful weather for working outdoors. So I take the opportunity to sculpt outside of my studio. These sculptures are mostly 3 foot and larger, that will not fit through the door and are too messy to work on inside. I sculpt with a modified concrete mix and wire. Totally different material and scale from my jewelry. I have found that switching mediums gives my creativity a boost.

One day, the answer to my dragon wings problem dawned on me. Duh! I was stuck in a rut! I had gotten so used to designing for my standard material, urethane resin, that I could not find a solution for my wings. The wings were not the problem. The problem was my material.

And so, my hunt for the perfect new resin began.

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Designing a Dragon Wristband

by lianabennett on January 12, 2012

in Dragon Jewelry,Jewelry Design,Sculpture

About a year ago, I started sculpting a 3-D dragon wristbandt. The dragon’s body went smoothly. Then my Honey-Do suggested that the dragon needed wings. “He needs to be a Medieval style dragon, not a wingless, Oriental style dragon.”

Wings! I agreed, wings would be fantastic, but, how could I add wings, without creating a design nightmare? Wings would stick up and get caught on everything. How could they be attached? If I made them small enough to not protrude, they would look out of scale with the rest of the dragon. This one small detail, could throw a wrench into the whole design process.

And it did. All last summer, my dragon sat in a box, waiting for me to finish him. He looked fantastic, but wingless. I knew in time, that the answer to the wing dilemma would come to me, but, this answer was taking way too long.

So many design details to work out. I needed a clasp, and not just a standard jewelry style clasp. It need to be in scale with the dragon. The clasp needed to be rugged and secure, but small enough to not intrude into the design dimensions. I wanted to surround the dragon with rocks. Not glittery rhinestones, but masculine, realistic rocks. I dug through my rock collection for inspiration, and found a handful of shiny quartz crystals. Perfect! The base for the dragon and his rocks need to look rough and natural. I wanted the look of cooled lava. All these details were finally worked out, but the wings answer still eluded me.

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