Double-boxing Boxes Unboxed
2 Minute Read
In this day and age, everyone knows the necessity of double-boxing items shipped; but then, do they?
Of the many tasks that need to be taken care of in the daily world at Thompson Enamel, shipping and receiving is one. The approach would be to pack and ship in the same mindset as one would receive. Having seen the 'care' of pick up and delivery, it can only be concluded that a box is a box is a box. There is no care; toss it anywhere, any way. Pick up and deliver the box; it is nothing personal. Drop it off and walk away. No problem, it ain't a baby…and it sure ain't mine.
When shipping an object, one must realize that those who make contact with the box, see it only as a box. There is nothing inside. It is just a box. There is no concept of content, even if marked 'fragile,' 'glass,' 'liquid,' or 'this side up.'
There is no need to go into details, and insurance can't track how the box is handled. Once the box is out of your hands, you have no control. Insurance is a myth, because the bulk of what is shipped is commercial. While craft is commercial, art is not.
For having recovered from the death of Lenore, I gave myself a gift: two pieces from Sarah Perkins. What follows is a reenactment of their unpacking, as a counter point to how one packs.
Packing and packaging require that what arrives consummates what was sent.
The second box was actually opened first, because it contained a piece that had not been seen. The sequence is obvious.
It is important to note that the object was a steep sided bowl. It was packed upside down, it rested on it's lip, not on it's well-rounded bottom. The lip offered more support to the whole of the form in a rested shipping position.
Of great importance: It should be well-noted that no tape was used, except on the boxes.
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