This initial preparation consists of removing the &#8220;Tang&#8221;. Then having it be inserted into the wooden handle of your choice. Lighting above the bench-grinder is very important as you must see any subtle changes in the shaping of the Onglette blade. The next very important stage is to accurately shape the front part of the [&hellip;]

Grinding an Onglette graver - How-To Video - Ganoksin Jewelry Making Community

Home

Learning Center

Jewelry Making

Fabrication

Finishing Polishing and Cleaning

Grinding an Onglette graver

Sharing information with jewelers for over 20 years

Ganoksin

https://www.ganoksin.com/wp-content/uploads/2016/09/ganoksin-logo-main.svg

Platinum Membership With Built-In Exposure

Platinum Membership

Platinum Monthly (sold before Feb 2023)

Platinum Yearly (sold before Feb 2023)

Platinum Plus+ Advertising Bundle

Platinum Plus Advertising One Year

Platinum Pro Advertising Bundle

Platinum Pro Advertising One Year

Platinum Partner Advertising Bundle

Platinum Partner Advertising One Year

3D and CAD/CAM Jewelry Services and Products

Gemstone Related Products and Services

Jewelry Business Software

Jewelry Makers

Jewelry Making Supplies and Tools

Jewelry Mass Production Services

Jewelry Repair

Jewelry Schools

Jewelry Stores and Galleries

Jewelry Trade Associations

Miscellaneous Jewelry Related Products and Services

Diamond Manufacturers

Preserving Rusted Objects for Jewelry

Feedback on a Pavé Design

James Miller Jewelry Gallery

Clasps for a Bolo Tie

For Jewelers and Enthusiasts Get started with our forum community access and online learning center.

Silver Membership Monthly Gift

Silver Monthly Gift

Silver Membership Yearly Gift

Silver Yearly Gift

For Jewelers and Enthusiasts All of our Silver plan benefits, plus exclusive product discounts and newsletters.

Gold Membership Monthly Gift

Gold Monthly Gift

Gold Membership Yearly Gift

Gold Yearly Gift

For Businesses that Sell to Jewelers Everything we have to offer, including advertising and business tools. This is for the jewelry pros!

Platinum Membership Monthly Gift

Platinum Monthly Gift

Platinum Membership Yearly Gift

Platinum Yearly Gift

For those looking to engage in our forum community and get updates on industry trends

Silver Membership

Silver Monthly

Silver Yearly

For hobbyists, aspiring professionals, and professionals looking to learn or improve their skills

Gold Membership

Gold Monthly

Gold Yearly

For businesses and professionals looking to build their brand

Platinum Monthly

Platinum Yearly

6 Basic Wire Skills to Make a Necklace

Metal Engraving Tools Explained: How To Choose And Prepare Gravers For Jewelry Work

Jeweler’s Torches Explained: What Kind Do You Need?

Hollow Ring Project

Torches

Soldering Equipment

Lighting

Disc Cutter

Hammer

Workbench

Third Hand

Drill Press

Band Saw

Rolling Mill

Glass Cutter

Sandblasting Cabinet

Laser Welder

Soldering Station

Steam Cleaner

Flex Shaft

Kiln

Microscope

Drill

Air Compressor

Master goldsmith <a href="http://www.brainpress.com/LewtonBrain.html">Charles Lewton-Brain</a> trained, studied and worked in Germany, Canada and the United States to learn the skills he uses. Charles Lewton-Brain is one of the original creators of Ganoksin.

Charles Lewton-Brain

Mechelle Lois is a professional bench jeweler who was classically trained in jewelry making and repair at the highly regarded North Bennet Street School in Boston MA. Now based in her hometown of Pittsburgh PA, she enjoys stone setting, repair work, and creating custom designs. When not making jewelry, Mechelle enjoys traveling and spending time with her family.

Mechelle Lois

Cynthia Downs

Alessandro Aria

Chris Ploof

Gerry Davies

George W. Fischer

Kelly Jean Conroy was born in 1983, in Sheboygan, Wisconsin. Growing up in New England and being raised by an artist mother who emphasized making and painting, eventually led her to attaining her BFA from Syracuse University in art education and painting. She completed her MFA in Jewelry Metals from the University of Massachusetts Dartmouth in 2013. She is currently teaching metalsmithing at Lincoln Sudbury Regional High School and Metalwerx. She has previously taught Continuing Ed Jewelry courses at Massachusetts College of Art, Haystack Mountain School of Crafts, Peters Valley School of Craft, Snowfarm, and the Worcester Center for Crafts. Her personal work focuses on life cycles in nature within a jewelry format. Her specialties are enameling, working with natural materials: carving bone, piercing mother of pearl, laser cutting, and casting.

Kelly Jean Conroy

Pattie Parkhurst has been pursuing jewelry craft since she was a young child.  This passion led her to pursue metalsmithing in college.  After graduating, she worked as a jeweler and continued her education by taking a multitude of workshops taught by master metalsmiths, which expanded her skills tremendously.  By 35, Pattie became part owner of a metalsmithing school that specialized in master workshops.
After college, Pattie served on the board of The Colorado Metalsmithing Association (COMA) where she learned the anticlastic raising metal technique.  This process involves hammering different metals, over and over on an antler-like form.  By immersing herself in this ancient technique, she combines her love for nature and metalsmithing into cohesive nature inspired metal forms.
Her work is mastered and constantly evolving through observational learning, a continuous process that comes from having many jewelry-related businesses.  Pattie loves outdoor adventures, guest lecturing, and teaching.
Richard Sweetman is an artist and teacher with a BFA degree from Colorado State and an MFA degree from the University of Oregon.  He worked as a goldsmith for George McLean Goldsmith in San Francisco.  Richard then taught for many years and has the distinction of starting the Jewelry and Metalwork Program at Arapahoe Community College near Denver.  Several summers he continued to learn and sharpen his skills at Haystack Mountain School of Crafts in Deer Isle, Maine.  He currently teaches workshops at his studio and for other guilds.

Pattie Parkhurst and Richard Sweetman

Milt Fischbein is an independent metal artist and educator. He is a professional engineer who discovered his love of working with precious metals almost 30 years ago, while taking an introduction to jewellery class at the Alberta College of Art and Design.
He is one of only a handful of metal artists in North America whose primary focus is the design and fabrication of filigree objects. Milt has been fine tuning ancient filigree fabrication techniques in his Calgary, Alberta studio, creating a body of contemporary and gold filigree jewellery. Milt has been passing on his knowledge of filigree techniques through in person and online workshops and lectures. He is a professional member of the Alberta Craft Council.
His works have been published in Edmonton’s Where Magazine, Alberta Craft Magazine and in Victoria Lansford’s 2019 Update of her Russian Filigree DVD. A write up on his studio was featured in the July 2017 issue of the MJSA Journal.

Milt Fischbein

This initial preparation consists of removing the "Tang". Then having it be inserted into the wooden handle of your choice. Lighting above the bench-grinder is very important as you must see any subtle changes in the shaping of the Onglette blade. The next very important stage is to accurately shape the front part of the blade to a fine point. Water immersion is very important, if the blade overheats it will turn a bluish colour & have the steel soften. I use a ratio of three grindings to one of water. In my next video will show how the finished blade will look. There are many 'delicate steps of preparation' before the actual "Bright-Cutting". One thing to remember, there are no 'short-cuts'..only doing things the correct way!